March, 2012


26
Mar 12

Filming / Introduction II

Research&Read:
    Read:
    A Journey Into Light With Max Keller, Max Keller & Alexander Hick, 2006
    Film Art: An Introduction, David Bordwell, 1979
    Masters Of Light, Dennis Schaefer, Larry Salvato, 1986
    Sergei Eisenstein, Towards A Theory Of Montage, 1994
    Vittorio Storaro: Writing With Light, Vittorio Storaro, 2002
    Vsevolod Pudovkin, Film Technique, 1929
    Watch:
    The Life Of An American Fireman, Edwin S. Porter, 1903
    The Birth Of A Nation, D.W. Griffith, 1915
    Strike, Sergei Eisenstein, 1925
    Meet Me In St. Louis, Vincente Minelli, 1944
    Mildred Pierce, Micheal Curtiz, 1945
    The Day The Earth Stood Still, Robert Wise, 1951
    Rear Window, Alfred Hitchcock, 1954
    The Searchers, John Ford, 1956
    The 400 Blows, Francois Truffaut, 1959
    L’annee Derniere A Marienbad, Alain Resnais, 1961
    Lawrence Of Arabia, David Lean, 1962
    Blow Up, Michelangelo Antonioni, 1966
    In Cold Blood, Richard Brooks, 1967
    Il Conformista, Bernardo Bertolucci, 1970
    The Duel, Steven Spielberg, 1971
    A Clockwork Orange, Stanley Kubrick, 1971
    Fat City, John Huston, 1972
    Mean Streets, Martin Scorsese, 1973
    Blade Runner, Ridley Scott, 1982
    Tucker: A Man And His Dream, Francis Ford Coppolla, 1988
    Dick Tracy, Warren Beatty, 1990
    The Lost Highway, David Lynch, 1996
    Timecode, Mike Figgis, 2000
    The Darjeeling Limited, Wes Anderson, 2007

23
Mar 12

Filming / Introduction I

Research&Read:
    Read:
    Syd Field – Screenplay:the Foundations Of Screenwriting, 1979
    Robert Mckee – Story: Style, Structure, Substance, And The Principles Of Screenwriting, 1983
    John Canemaker – Paper Dreams: The Art And Artists Of Disneys Storyboards, 1999
    Rudolf Arnheim – Art And Visual Perception: A Psychology Of The Visual Eye, 1954
    Barry Salt – Filmstyle And Technology, 1983
    James J. Gibson – The Perception Of The Visual World, 1950
    Watch:
    Plane Crazy, Disney, 1928
    Citizen Kane, Orsen Wells, 1941
    Paths Of Glory, Stanley Kubrick, 1957
    L’eclisse, Michelangelo Antonioni, 1962
    Il Deserto Rosso, Michelangelo Antonioni, 1964
    2001: Space Odyssey, Stanley Kubrick, 1968
    Once Upon A Time In The West, Sergio Leone, 1968
    Chinatown, Roman Polanski, 1974
    Barry Lyndon, Stanley Kubrick, 1975
    Blade Runner, Ridley Scott, 1982
    Brazil, Terry Gilliam, 1985
    Goodfellas, Martin Scorsese, 1990
    The Player, Robert Altman, 1992
    Pulp Fiction, Quentin Tarantion, 1994
    La Haine, Matthieu Kassovitz, 1995

12
Mar 12

Physical Computing / Introduction I

Research&Read: